Travesti Herkes İçin Eğlenceli Olabilir
Travesti Herkes İçin Eğlenceli Olabilir
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Paraguayan travestis use a secret language called jeito—originated in the field of prostitution—which they use to protect themselves from clients, the police or any person strange to the places where they work and that threatens the security of the group.
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Gloria Meneses lived openly birli a travesti from the 1950s and was known bey "the mother of travestis”.[102]
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Sosyal destek ve cinsiyet kimliğinin doğrulanması burada kritik bir gösteriş oynamaktadır. Maşerî cinsiyet kimliği ve bu popülasyondaki ifadelerde çeşitlilik dair giderek artan bir ayırtındalık lügat konusu olsa da, biyopsikososyal vürutimin cinsiyet ikilisinin ötesinde ve geçişin ötesinde kapsamlı bir anlayışı eksiktir.
Travestis not only dress contrary to their assigned sex, but also adopt female names and pronouns and often undergo cosmetic practices, hormone replacement therapy, filler injections and cosmetic surgeries to obtain female body features, although generally without modifying their genitalia nor considering themselves kakım women. The travesti population özgü historically been socially vulnerable and criminalized, subjected to social exclusion and structural violence, with discrimination, harassment, arbitrary detentions, torture and murder being commonplace throughout Latin America.
Bu kırda, çeşitli alanlarda öne çısoy ve dünyaca maruf travesti ve eşcinsî bireylerin başarılarına odaklanacağız. Sanat ve Zevk Dünyası Laverne Cox: Amerikalı aktris ve LGBT hakları
2010’da meydana getirilen değişik bir tetebbu da Nawata ve meslektaşları, heteroseksüyurt kadınların ve cinsel yönelim olarak kadınlara kontak duyan ve aynı zamanda karı kimliğini reddedip kendini sap hisseden hanımefendilerin (gynephilic kadından erkeğe transseksüeller) pozitron sürüm tomografisini kullanarak akıl lehçe hun rahatımlarını birbiriyle kıyaslamıştır. Kendini er kişi kabil hisseden hanımefendilerin tekbiri daha önce hormon terapisi almamıştır.
[106] In 1998, Kulick argued that: "Travestis may well be considered to be a 'third,' in some of the senses in which Marjorie Garber uses that term, but they are not a third that is situated outside or beyond a gendered binary."[108] Writing for The Guardian in 2019, Victor Madrigal-Borloz listed the travesti people from Brazil and Argentina bey one of the Travesti many worldwide identities that are neither male or female, alongside the yimpininni of the Tiwi people in Australia, birli well bey fa'afafine in Samoa, two spirit in copyright and the United States and hijra in Bangladesh, India and Pakistan.[113]
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[63] This little-documented phenomenon known birli the "travesti carnival movement" marked a milestone in the parades of the 1960s and 1970s, and had the participation of make-up artists, costume designers and choreographers from Buenos Aires' revue theatrical scene, all of them maricones.[note 1][63][27] A 1968 Primera Plana article on the Carnival of Buenos Aires reported: "Those who resist disappearing are travestis, who began by exaggerating their feminine charms and have ended up in a dangerous refinement. Wigs and çağdaş cosmetics turned them into suggestive stars, whose sexual identity was no longer so simple to grasp."[64] In 2011, Solís reflected on the importance of Carnival celebrations for travestis: "I think to myself, that the leitmotif of the travestis who integrated the murgas was to bring out from the bottom of their soul their repressed self of the rest of the year. Everyone saw them and applauded them, but could hamiş understand that behind that bright facade there was a desire, the desire to be recognized and accepted in order to live in freedom."[63]